Rahgu Rai: Interview With The Guardian

Photo © Raghu Rai- All Rights Reserved
"Most people don't see, they just glance. When we take a picture, we have to be aware of every inch of space we're dealing with" -Raghu Rai
An interview with Raghu Rai in The Guardian newspaper was published to coincide with his work being featured in a retrospective at the Aicon Gallery in central London and in a landmark exhibition at the Whitechapel gallery.

A gallery of his work is also featured on The Guardian's website.

Raghu Rai is a Magnum photographer who spent 40 years photographing India. Born in a small Pakistani village and moving to India during Partition, he was witness to some of the most significant events in his country's recent history. He was one of the first photographers on the scene after the 1984 Bhopal industrial disaster and has produced acclaimed documentary series on Mother Teresa, the Dalai Lama and the late Indian prime minister Indira Gandhi.

Via Wendy Marijnissen's Twitter feed.

Leila Alaoui: The Moroccans

Photo © Leila Alaoui - All Rights Reserved
Leila Alaoui is a young French-Moroccan portrait and documentary photographer living in both Morocco and Berlin. She received a B.S. degree in photography from the City University of the New York Graduate Center.

With a number of international exhibitions under her belt, Leila has also featured her portraits of Moroccans at the Palais Es Saadi in Marrakesh.

One of my favorite in her small gallery of Moroccan portrait is the one above of a traditional "guerrab"...or water-seller. This one is from a souk in Boumia (near Meknes), but most people who visited Marrakesh's Souk el Fna have met these water-sellers who now make a living by posing for the cameras. They are a ubiquitous presence in other Morocco's cities.

I'm especially glad when I discover the work of promising (and established) Arab photographers, especially if they're women...and they'll always figure prominently on this blog.

Peaceful Afternoon in Dallas

I was enjoying a beautiful day with my family last weekend. The pictures were taken with mobile phone.
Thank you for your visiting!! Have a happy Sunday!!!xoxo...Hanh :)

Joseph F. C. Rock: Western China

Photo © Joseph Francis Charles Rock
Joseph Francis Charles Rock (1884 – 1962) was an Austrian-American explorer, botanist, and anthropologist. For more than 25 years, he traveled extensively through Tibet and Yunnan, Gansu, and Szechuan provinces in China before finally leaving in 1949.

His travels in Western China is featured by On Shadow, and I thought I'd show the gallery of his more than 275 photographs made in the 1920s. It's always fascinating to me to view photographs made during these early years of photography, which required lugging heavy cameras and large amounts of developing chemicals. What we present-day photographers carry is a mere trifle of what these photographers had to schlep. They certainly had porters to do it for them, but imagine the difficulties this still was, as well as having to develop the films in situ.

For those of you who are patient and interested enough to scroll through the 275 images, you'll notice one that is captioned as "Lamas with trumpets, drums, and cymbals chanting the prelude to the Black Hat Dance in front of the main chanting hall at Cho-ni Lamasery" and was taken in December 1925. Compare it with contemporary photographs of Bhutan's Black Hat dances at its tsechus, and you'll realize that not much has changed.

On Shadow is primarily run by Nicholas Calcott, and was founded in January 2008, originally as the blog arm of the publisher 12th Press. It presents projects and essays from invited scholars and artists.

Looking For Cheap Vacation

Budget travelers and not only they look always more often for cheap vacations. There are different reasons because this phenomena is so popular in the modern world. We work hard and want to have a good vacation, but we are conscious that there are many vendors that have excessive prices thought for unsuspecting tourists. And, from other side, it can happen that we do not inform us about the ways we have to behave in other countries and places we want to visit.

The most evident example from the life. If you go in a bar in a central street of a popular among the tourists town or in one that is near a very popular touristic destination, you can often pay what you order in that bar much more in confront to an other bar that is situating just some steps far from the main street.

Sometimes, I find advises about the airfares. You have to book your ticket choosing a little airport where there are not too many flights, they say. It can be right for some places. But using the air transportation in Italy, I noticed that the best prices I found, were always in the most big and hectic airports like Milan. Personally, I look in all the most important online agencies and carriers sites and choose the best for my intentions price among all them.

Sometimes, cheap means not "less paid". For example, my husband went in Argentina booking a flight for an incredible low price about half a year before the flight. In these 6 months, the company changed the time of departure and other similar things every week. Every time, we had to call their paid call center to confirm that he, my husband, wants to take this flight. Every call's cost was very high.

The other time, I bought an incredibly low cost ticket to fly in Russia about 2 month before the flight. I had an emergency and had to fly there in any case. The company suddenly transfered the flight from the airport near my house to an other, in North Italy just some days before the departure. All the "last minute" flights costed a fortune it that moment, and I had to accept the change of the airport. All the additional expenses raised the price to the business class sum.

That is why you have to read advises of those who just experienced the travel destination you choosed to avoid such bad experiences.

Crouching Tiger, Hidden Dragon

Haha...This tittle is silly, but I love it! I also love the movie too! :) Have you seen this movie yet?
Anyway, months ago, I had a chance to meet Nathalie and her husband Fernard at their studio in Paris. They are a team who make Hanna Bernhard jewelry; a unique, hand made, exquisite jewelry. I always love thing that is dragon. Dragons symbolize power and happiness. Yes, I ordered a dragon necklace. This is their first time to make something like this and it was a great challenge for them, they said. No surprise! With their experience and talent, the dragon necklace is amazingly beautiful and its details are exquisite. It's truly a statement and a mind blowing piece. I'm really happy with it.
Yesterday, Dallas weather was suddenly cooler. It was a perfect time for me to style it with a vintage fur that I recently found. To give an edginess to the outfit, I paired it with The Row leggings and my gloves that I bought them in Paris at a local store long ago.
Thank you QC for the photos and his wife Nancy for make-up. You're both the best. QC, your photos are always beautiful!

Thank you everyone for visiting and comments! Have a lovely weekend! xoxo...Hanh :)
Check out QC website here!

Tudor Vintiloiu: Warriors of the Amazon

Photo © Tudor Vintiloiu-All Rights Reserved
Tudor Vintiloiu is a Romanian photojournalist based in Bucharest who specializes in documentary and travel photography. His site features stories from Ecuador, Ethiopia, Cambodia and other countries.

I was tempted to feature his work of the Omo Valley, but I've had Diego Verges' recent Addis work featured a few days ago, so I chose the next best thing on Tudor's website, and that is his work on the Ecuadorean Amazon Indians.

His portfolio features the Huaorani tribe, which consist of almost 4,000 people. In the last 40 years, they evolved from a hunting and gathering society to live mostly in permanent forest settlements, and shun contact with the outside world.Their main weapon are spears, and they use blowguns for hunting. Possessing an extensive knowledge of botany, which they use for medical purposes, for poison and for drugs. The Huaorani have about 6,800 square kilometers of land, about one third of their original territory.

Tudor's work in the Omo Valley, and of Markets/People (black & white) are also well worth your visit.

Inspiration: Bold colors and Prints

I'm in love with Jonathan Saunders Fall 2011 collection. The bold colors and mix prints are just amazingly beautiful. The print work is very sublime. It reminds me of Dries Van Noten. I love the use of bright colors for a fall collection-it's very bold and uplifting.
Thank you everyone for visiting!! Have a wonderful day!xoxo...Hanh :)

The Sufis of Gujarat Photo~Expedition™: The Verdict

Photo © Tewfic El-Sawy-All Rights Reserved
I find it always difficult to objectively assess a photo~expedition, since there are so many variables that must be considered when judging what went right and wrong over the course of an intense two weeks...but it's something I find necessary and useful. I don't know if other travel photographers publicize the positives and negatives of their photo trips or workshops, but I do. It's an exercise in transparency that I follow because I think it's the right thing to do.

The objectives of the In Search of the Sufis of Gujarat Photo Expedition™ were diverse. This was not a run-of-the-mill photo trip, touring Gujarat in search of photogenic individuals or places, but had the complex goals of exploring and photographing traditional Hindu and Islamic syncretism.

But first things first. The group was the most international I've had so far...2 Thai photographers, 1 Singaporean and 2 Americans.  The gear was, for the first time, Nikon-dominated with a couple of Canon users and a Leica aficionado.

Speaking of gear; I used my Canon 5D Mark II, and sort of inaugurated my new Canon 7D (which replaced my trusty old friend the Canon 1D Mark II). The 7D was mostly used when I need the super-fast fps rate, or when I wanted to shoot a movie clip. I used my Canon 24-70mm f2.8 virtually all the time, while the Canon 17-40mm f4.0 was used on my 7D. The 70-200 lens was used only once, and stayed at the hotel on most days. The same for my Canon 24mm f1.4. I lost all of my back-up Compact Flash cards...probably at Delhi airport's security check...so relied on two 16 gb cards that were in the camera bodies.

The photo~expedition's logistics worked well. I traveled to Ahmedabad (where the trip started) from Delhi on Indigo, a privately-owned Indian airline, and I can't be complimentary enough. Its time-keeping and its in-flight staff (not only gorgeous, but efficient and attentive) put American and European airlines to shame. The hotels on our itinerary were as expected, but I ought to mention two in particular: The Imperial Palace in Rajkot (despite it being all-vegetarian) was fantastic, and The Pride in Ahmedabad takes second place. The fleabag award goes to the Leo Resort in Junagadh, and it's now on my list of the ten worst hotels I ever stayed in. On the other hand, the Rann Riders Safari Resort in Dasada gets the fillip, as it has last year, for being oasis of calm, efficient service and excellent food.

Our transport was a large Tata bus, although I had thought we would be driving in a Tempo-like 12 seater. No complaints there (except for the shock absorbers), and driver Ashok and his assistant were put through their paces, often driving for 9-10 hours a day...a grueling pace especially on the roads of south Gujarat, which are not well maintained at all.

Rehman was the photo~expedition guide/fixer. He was the very personification of syncretism due to his conversion from Hindu to Muslim when a young man. His knowledge of Muslim India and of Sufi lore was impressive, and he diligently gave us a written narrative of every dargah, mosque and temple we photographed at, with historical notes. His narrative was heavily laced with tales and superstitions...ideal to us, as these reflected local syncretic lore as for example, his statement that the Prophet Muhammad was the reincarnation of Vishnu!

In Bhuj, we were also assisted (like last year) by Kantilal Doobal, a local photographer-interpreter. He guided us to tribal villages.

There was one major...no, make that huge... disappointment on this photo~expedition. I planned to photograph the Siddis in their village near Diu in the very southern tip of Gujarat. I was informed that the Siddis held spectacular musical (drumming) performance during the evenings of the Muslim weekend. The Siddis are descendants of African slaves brought 300 years ago by the Portuguese for the Nawab of Junagadh. To our chagrin, there were no performances to speak of, and all we saw was a small loban ceremony during evening prayers, hardly anything to write home about. Yes, we photographed the Siddis and it seemed we were in a Central African village, but we were disappointed. I had enormous expectations from this particular itinerary objective, but it was not to be. Traveling so far down to Diu wasn't worth it at all.

Another issue was that women are not allowed in certain areas of the dargahs and mosques. This excluded two of the participants from photographing in the inner parts of the shrines, but this was no surprise. Another issue was that some shrines allowed the saints' tombs to be photographed, while others didn't, depending on the whims of local keepers/guardians. I say whims because at one shrine I was told we couldn't photograph at all, but after talking with the local religious head, he allowed us unfettered access. Insistence can pay off sometimes.

The highlights of the photo~expedition were many...the shrine of Shaikh Ahmed Khattu in Sarkej near Ahmedabad,  the Jain temples and the pujas in Palitana, a couple of tribal villages near Bhuj, a photo shoot at the home of an extroverted hijra (transvestite) named Chandrika in Bechraji, and the utterly mind-blowing scenes of trances at a dargah near Unawa.

The Palitana photo-shoot required us to walk (or be carried) up the 3500 steps to the main Jain temple at the top of the hill. This was well worth it, as a continuous puja was being held at a sacred site considered to be the most sacred pilgrimage place in Jainism. We started the climb at about 6:30 am and were at the top 3 hours later. The puja ceremony lasted for a few hours, giving us ample time to photograph every facet of it.

However, there's no question that the main highlight of the whole trip was our days spent at the Mira Datar shrine where we photographed the fantastic Sufi rituals, which included exorcisms, trances, possessed people (mostly women) in chains lest they hurt themselves, pilgrims of all persuasions, Hindus, Muslims (Sufis, Shias and Orthodox) coming to the shrine for all sorts of reasons...temporal and spiritual. It is accepted in the Islamic world that demons (known as djinns) can inhabit the bodies of individuals, and supplicating saints such as Mira Datar to rid oneself of such demons is commonplace in Sufism.

I was asked by one of the khadims at Sufi dargahs to place a "ghelaph" (or ritualistic cloth covering) over the tomb of a saint...this I tried to do with reverence and alacrity. Not allowed to cross into the area where the saint's tomb is, a number of women also asked me to spread bags of rose petals over it...I was pleased to do this, and was handsomely rewarded by being given a large rose petal to eat. Not bad...it tasted like soggy lettuce.

Poland -- Danny Ghitis' photos of Oswiecim

A cozy cafe in Oswiecim. Photo (c) Ruth Ellen Gruber

By Ruth Ellen Gruber

Danny Ghitis is a talented young photographer who has taken a great series of pictures about Oswiecim -- the living town in southern Poland outside of which is the infamous Auschwitz death camp. I'm delighted to see that a selection of them is featured on NPR. Before World War II, most of the residents of Oswiecim were Jewish.
Many tourists come in buses to Auschwitz for the day and may not notice the people who live in the surrounding towns. "Those who do notice," Danny Ghitis writes on his website, "a nearby shopping mall, high school sweethearts holding hands, nicely dressed families are headed to church — are faced with an impossible question: How can life exist in the aftermath of such overwhelming evil?"

Ghitis, Brooklyn-based photographer and grandson of a holocaust survivor, was plagued by that question, and spent some time in 2010 exploring the psyche of Oswiecim — as well as his own. "I was aware of my own strong biases," he writes in an e-mail, "but as a journalist I knew the reality of this town had to be more complex than is often painted."

Years ago, I wrote a long, long essay about being snowbound for three days iat Auschwitz and exploring the town of Oswiecim and how the looming shadow of the death camp affected the town -- it formed the final chapter of my book Upon the Doorposts of Thy House: Jewish Life in East-Central Europe, Yesterday and Today. The book is out of print -- but it's still a good read!

Diego Verges/Javier Fernandez del Rivero: Addis

Photo © Diego Verges/Javier Fernandez-All Rights Reserved
Diego Verges was at it again...this time with a friend and collaborator Javier Fernandez, and produced interesting set up visuals of various Omo Valley tribes, such as the Mursi, Hamar, and Tsamay.

Here's the background story as told to me by Diego. Having won a photographic contest last November, with a trip to Ethiopia for two as grand prize, Diego and Javier traveled to Southern Ethiopia where they stayed for about 2 weeks. With time on their hands, and an impulse to produce something unusual, they decided to work with studio backgrounds cheaply cobbled together locally.

The goal was to produce photographs more akin to anthropological portraits than travel images, but that would also accentuate the studio-like poses rather than the candid.

Diego tells me he was inspired by the work of John Kenny and Sarah Elliot, who were both featured on my blog, as well as by Isabel Munoz. I also see the influence of Joey L. in these, especially in the use of strobes and lights.

Some of those who describe themselves as purists may well view this work as demeaning to the Omo Valley tribes people and their age-old culture, as well as exploitative to a certain degree. Unfortunately, this has been the case for a number of years, and I understand through a number of conversations that commercialization is now running rampant. I was there last in early 2004, and noticed how the various tribes were adept in soliciting money for images and how prepared they were to pose without any guidance from me. And that's why I qualify my use of the term "exploitative"...perhaps this is a case of what came first...the tourists with their cameras giving out a handful of birrs...or the demand for birrs from tourists for each snap. I don't know the answer to that.

While I am saddened by the economic situation these tribes find themselves in, I pass no judgement. There's always the good and the bad in situations such as these.

Whatever side of the fence you end up on, there's no question that Diego and Javier have done an excellent job in featuring the beauty and majesty of the Southern Ethiopian tribes.

And no...I don't know why Diego decided to title these new galleries as "Addis"...instead of Turmi or Omo.

Note: Diego clarified the reason the reason for choosing Addis...it means "New"...as in new work.

Sweet

  • This is my first time to make Tiramisu, one of my favorite desserts. I really love the texture and the sweetness of it. At the end of your dinner, Tiramisu and a glass of rum is just a perfect ending for your meal. Yum!!! Hope you can do it (it's not hard) and enjoy!!!
  • 6 egg yolks
  • 1/2 cup sugar
  • 1 lb. mascarpone cheese, softened
  • 2 cups chilled heavy cream
  • 1 Tbs. rum (optional)
  • 1 tsp. vanilla extract
  • 2 to 3 cups brewed espresso
  • 5 egg whites
  • 40 to 50 ladyfingers
  • Cocoa powder for dusting

Directions:

In a mixing bowl set over a pan of simmering water but not touching the water, whisk the egg yolks and sugar until the mixture is pale yellow and thick ribbons fall from the whisk, 4 to 5 minutes. Transfer the mixture to the bowl of an electric mixer. Add the mascarpone cheese and beat until smooth and creamy, 2 to 3 minutes.

In a chilled large mixing bowl, whisk the cream until stiff peaks form. Add the vanilla and whisk until smooth.

In a clean mixing bowl, whisk the egg whites until stiff peaks form. (When the whisk is lifted straight out of the bowl and inverted, the whites should hold their shape.)

With a rubber spatula, gently fold the mascarpone mixture into the cream until blended and smooth. Add about 1 cup egg whites and fold gently until blended. Add the remaining egg whites and fold gently until the mixture is smooth and blended.

One at a time, submerge the ladyfingers into the 2 to 3 cups espresso. Lay enough ladyfingers on the bottom of a 6-quart glass or ceramic baking or serving dish to form 2 layers. Spread the mascarpone mixture over the ladyfingers until evenly covered over the top. Dust the tiramisù with cocoa powder to create a rich, dark topping. Refrigerate for at least 4 hours or up to 1 day before serving.

My Work: Flower Girl At Ahmed Shah Dargah

Photo © Tewfic El-Sawy-All Rights Reserved
Near Ahmedabad's main mosque, Jama Masjid, is the tomb of Sultan Ahmed Shah I (1411-1442), the founder of the city, who was a sultan of Gujarat's ruling Muzaffarid dynasty. The tomb is revered by Sufis and Hindus alike, who visit the shrine to pay their respects, and to offer "prasad" in his memory.

The above photograph made during my In Search of Sufis of Gujarat Photo-Expedition  is of a flower girl who, along with a number of family members, sells flowers and offerings such as coconut flesh to the supplicants who visit the shrine every day.

She probably lives in one of the hovels amongst the graves of erstwhile Muslim royals of Ahmedabad which dot the area around the shrine, coming here to sell her wares for a pittance.  Not only did I think that this young woman was attractive, but she also had a great deal of femininity, poise and an innate elegance within her,  so I asked if I could spend a few moments photographing her in her environment. She readily agreed, as I had previously given her sister a print of the photograph I had made of her last year, and I had gained her trust.

Prasad is an offering of sorts (usually edible) to a deity or a saint, in Hinduism...and yet, the same offerings are used by Muslim and non-Muslims alike when visiting the shrine of Ahmed Shah. One of the numerous examples of syncretic traditions still existing in India.

Destination Analysis: Week 6, 2011

We've made a few small tweaks to the Destination Analysis Report this week:

1.We've added a new report for the UK Hostels Market - the set of destinations is different to the other 4 reports as there seems to be a different set of users searching for hostels than hotels/car hire etc.

2. We've included the Week Number and Source Market on the first sheet to ensure you know what market we've analysed and how up-to-date the report is.

3. In the previous version, there was an issue with one or two graphs not showing - this has been fixed.

Please find the analysis here:
Hostels

Holidays

*Please note: The Holidays report uploaded this morning (21st Feb) contained an issue around 2011's data. This has now been corrected and re-posted. Apologies for any inconveniences this may have caused.

Flights

Car Hire

Hotels

Posted by Stephen Cunningham, Industry Analyst UK and Ireland.

Robert Gauthier: China Journal

Photo © Robert Gauthier-All Rights Reserved- Courtesy Los Angeles Times
As I'm still "suffering" from the afterglow (albeit, and regrettably, only a second-hand one) of the momentous events in Cairo, and from the visual overload of my 2 weeks photo expedition in Gujarat, it was about time to feature photographic work from a different part of the world...

The Los Angeles Times' Framework featured Robert Gauthier's Behind The Lens: A Photographer’s China journal.

I find similar behind the scene journal entries by photographers and photojournalists very interesting, as these provide insight as to what worked, what didn't and what went through their minds as they go about doing their business....whether it was jubilation at getting a "money shot"...or the disappointment at not getting what was expected.

Gauthier writes:
"Here’s the money shot,” I thought. As a photojournalist, I try to anticipate moments that help illustrate the thesis of the story. In my mind’s eye, I pictured Li, arriving home after months away. Children scrambling into his arms, a loving wife’s long embrace, tears of happiness streaming from everyone’s face.


Zonk! Instead, a hesitant father politely introduces his reluctant wife as the children stay outside. We all stand awkwardly in a dimly lighted living room. Li nowhere near his wife. No Norman Rockwell moment here. This is how stories like these generally go. You have to expect the unexpected."

We have all experienced this very same feeling. We build our expectations up; partly because we are wishful thinkers when it comes to our photography, and imagine the "perfect" scenes before we get to them...and partly because we frequently misinterpret how other people react.

Yes, indeed. We have to expect the unexpected...and be realistic in our expectations. I know...that last bit of advice is silly. We can never do that.

TIME Magazine: Egyptian Youth


It's not often that I'm in agreement with TIME magazine's cover choices, but I am with this one. The photograph is of Egyptian activists in Cairo who made history, and is by Finlay MacKay, a Scottish photographer.

The uprisings in the Arab Middle East are defining moments for the youth of these countries...while some mistaken pundits in the West are still trying to define the uprisings as having Islamic (or even Islamist) connotations, these are the same old tired cliches we've heard over and over again since September 11, 2001.

These are the faces of Egypt...look at them carefully. These are its future.

Mawled El-Nabi or The Prophet's Birthday

Photo © Tauseef Mustafa/AFP -Al Rights Reserved
Mawled el-Nabi was celebrated in Muslim countries a few days ago, and it observes the birth of Prophet Muhammad, which occurs during the third month of the Islamic calendar. Islamic scholars are divided on whether observing the Prophet's birthday is necessary or even permissible in Islam. Some see it as a praiseworthy event, while others view it as an improper innovation and forbid its celebration.

It's observed and celebrated in most Muslim countries, and where there are large Muslim communities, with the notable exception of Saudi Arabia, where it is not an official public holiday. Saudi Arabia practices an austere form of Islam, in contrast to Kashmir where these photographs are from.

Photo © Farooq Khan/EPA-All Rights Reserved
Kashmiri Muslims congregate at the Hazratbal Shrine in Srinagar where a relic, said to be a hair from the Prophet's beard, is displayed on the occasion of Mawled el-Nabi.

This reminds me that whilst in Diu (South Gujarat) on my In Search of the Sufis of Gujarat Photo Expedition™ a few weeks ago, I visited a Sufi dargah where a relic of Prophet Muhammad was kept in a receptacle, covered with a green "ghelaph", but under lock and key. I was told that it would be shown during the celebration of his birth.

For those who are interested in stuff like that, Diu (it being an ex-Portuguese enclave) is the only place in Gujarat where alcohol is sold openly. And the elderly Muslim man who courteously showed me the wall receptacle where the relic was kept, spoke fluent Portuguese, having emigrated from Mozambique many decades ago.

Yellow

I purchased this yellow nail polish from Urban Outfitters last year and this was my first time to wear it. I kinda wanted to have some fun and I surely had fun with this nail color. My kids said it's weird and my husband thought I was jaundiced :)
I love that the sleeves are different. I have fun with this Marc Le Bihan dress. I can style it with a dress, leggings, Jeans or shorts...It is shorter in the back (doesn't show here). It can be a light weight jacket. It is an all seasons piece. I always love clothing that mixes textures and materials.
Marc Le Bihan dress, Rick Owens black sheer dress underneath, Joomi Lim spikes necklace, MMM clutch, and Balenciaga sandals.
Thank you for your visiting and have a wonderful weekend!! xoxo...Hanh :)

Poland -- Changes and modernization coming at Auschwitz Museum

By Ruth Ellen Gruber

The New York Times runs a long story on plans for change at the main exhibit at the Auschwitz memorial museum, from memorializing to teaching. These changes are long overdue. For teenagers, the Holocaust is ancient history: as the article point out, there are kids today visiting Auschwitz whose grandparents were born after WW2. Visitors need to learn from what they see as well as learn about what happened.
Now those in charge of passing along the legacy of this camp insist that Auschwitz needs an update. Its story needs to be retold, in a different way for a different age.
Partly the change has to do with the simple passage of time, refurbishing an aging display. Partly it’s about the pressures of tourism, and partly about the changing of generations. What is the most visited site and the biggest cemetery in Poland for Jews and non-Jews alike, needs to explain itself better, officials here contend.
A proposed new exhibition at the Auschwitz-Birkenau State Museum here, occupying some of the same barracks or blocks, will retain the piled hair and other remains, which by now have become icons, as inextricable from Auschwitz as the crematoria and railway tracks. But the display will start with an explanatory section on how the camp worked, as a German Nazi bureaucratic institution, a topic now largely absent from the present exhibition, which was devised by survivors during the 1950s.


The Auschwitz museum/memorial was founded in 1947, and throughout the communist period made scant note of the fact that the overwhelming majority of victims there were Jewish -- I can't remember, but I doubt if homosexuals or Roma were even mentioned. Changes came of course after the fall of communism: information panels were added, misleading captions and other information was rectified, a new official guidebook was published, and the "pavilions" dedicated to individual countries were thoroughly revamped. But the exhibition itself remained largely the same.

It is important to point out, too (the New York Times story omits this) that for the past 10 year the Auschwitz Jewish Center has functioned in the city of Oswiecim (outside of which the Auschwitz camp was built). It is located in the sole surviving synagogue in the town -- which before WW2 had a majority Jewish population. The synagogue is a functioning house of worship, and the complex includes a study and research center as well as a permanent exhibit about pre-war Jewish life in Oswiecim.

POYi: Adrees Latif: First Place Freelance

Photo © Adrees Latif/Reuters

I'm gratified that one of the photographs that I deemed to be outstanding last November , has just won its photographer first place in the 2011 POYi's Freelance category.

Adrees Latif, a Pakistani photographer with Reuters, has been awarded Photographer of the Year Freelance/Agency with his excellent photograph made during relief supplies being delivered to flooded villages in the Muzaffargarh district of Punjab in Pakistan.

I'm also really "chuffed" that the work of non-Western photojournalists/photographers are recognized in such a manner. Recognition has been long in coming for such professionals, but it's here now, and it was about time. As I've suggested in a previous blog post, I am still disappointed at the absence (or paucity) of imagery by local indigenous photographers being featured by the international press in the events such as the Egyptian uprising, the Tunisian revolt and the ongoing events in Bahrain. This has to change.

And while I'm am chagrined that photojournalists are blogging about being roughed up by thugs in Cairo and elsewhere, I'd remind them that it's not about them...so get a grip, fellas...and stop moaning about how you lost some hard drives, how someone stole your satellite phone or whether you had a black eye...you were in a "war" zone, where people were/are making history. Your images may too.

Candlesticks on Stone - another cross post: a stone-carver reflects on tradition and symbolism


By Ruth Ellen Gruber

A few days ago, I posted this picture of a tombstone-carver, taken in Ukraine in 1916.
Tombstone carver at work, 1916 
(image from Bildarchiv, National Library, Vienna)

The one finished tombstone that you can see is very simply carved, but clearly painted in at least three colors. It also appears that the stone-carver may be teaching his son the trade — several sources, including David Goberman and the art historian Moshe Barasch report that tombstone-carving was often (or at least sometimes) a family business, passed on down the generations. In his essay “Reflection on Tombstones: Childhood Memories” (which I have cited before for Barasch’s contemptuous attitude toward the “primitive” artistic character of the stones) Barasch recalls hearing about two families of tombstone-carvers in Czernowitz after World War I — the Picker family and the Steinmetz  family (the name means “stone carver”), both of which had been in the business “for several generations.”

In his PhD dissertation on Jewish tombstone inscriptions and iconography is what is now western Ukraine, Boris Khaimovich of the Center for Jewish Art in Jerusalem cites an interview conducted in 1926 by a Ukrainian art critic and ethnographer named  Taranoshchenko with the last professional tombstone carver from the town of Ozarintsy in Southern Podolia.  (For a fascinating account, including photos, of growing up in Ozarintsy at that time, click HERE. a photo of a synagogue in Ozarintsy in 1928 click HERE.)  He was a young man named Goldenberg. Taranoshchenko wanted to find out “what guided him in carving certain images on a tombstone: whether definite rules and tradition, or the wishes of the dead person’s family, or perhaps his own imagination.”
The young carver apparently had “poor knowledge of ancient tradition.” But he did adhere to memories this and said he was “usually guided” by certain considerations. Regarding women’s tombs they were:
1) for the grave of a young girl – a chopped down tree, a small fir-tree, a wreath, a bird;
2) for the gravestone of an important woman – a candelabrum (since the mistress of the house must light Shabbat candles), two candelabra, two birds
Bolekhiv/Bolechow -- tombstone of
Esther bat Meshulem Zalman, 1805. 
Photo (c) Ruth Ellen Gruber

The earliest tombstones bearing candlesticks to mark women’s tombs that were found and described by Boris Khaimovich in Ukraine and Silviu Sanie in Romania (Siret, just on the Ukrainian border) date from the late 18th and very early 19th centuries. By the mid-to-late 19th century, the imagery was almost universal.
The young carver Goldenberg’s account in Ozarintsy shows how strongly engrained the tradition became.
Boris Khaimovich concludes that:
Apparently, the “poor knowledge of tradition” referred to the fact that the carver neither used nor knew the meaning of the motifs depicted on old tombstones, which the researcher had also documented in the murals of the Ozarintsy synagogue. This means that the tradition was totally lost by the turn of the 20th century. At the same time, the carver’s testimony sheds some light on the nature of this phenomenon, and clearly point at the existence of a special symbolic language, of which Goldenberg’s generation retained no more than vague notions and echoes. (BK Dissertation, p. 158)

Cut25

I love the shoulders. I can fold them in or out for different looks of the shoulders.
This jacket reminds me so much of Rick Owens style; from the way it fits, the cut, and the mixing of materials...I also love the soft taupe color. It's perfect for changing to spring season.
Wearing: Cut25 jacket that I purchased from Intermix, Madewell t-shirt, Ground Zero zip trouser, The Woods necklace, Joomi Lim spikes necklace, Oliver Peoples sunglasses, Johnny Farad clutch.
Thank you everyone for visiting and comments! Wish you all a wonderful day!! xoxo...Hanh :)

In Focus Does Lantern Festival

Photo © Jason Lee-Courtesy In Focus-All Rights Reserved
The new photo blog In Focus by Alan Taylor for The Atlantic featured about 33 photographs of the festivities on the occasion of the Lunar New Year. The Lantern Festival (known as Yuan Xiao Jie) was observed yesterday in China and wherever there are Chinese communities. It's the last day of the Chinese Lunar New Year festivities.

The blurb accompanying the photographs informs us that it's the most important annual celebration in China, and welcomes the Year of the Rabbit...which is a year of caution and calm.

Calm and caution? I guess the Arab nations revolting for their freedom are unconcerned with the Year of the Rabbit!!

I sense In Focus will soon be one of the favored destinations for those of us who appreciate photojournalism at its best...especially as I just noticed that it offers two choices for its image size: 1024 or 1280 pixels! Nice touch...very nice touch!

Global Post: Ali Sanderson's Mekong River

Photo © Ali Sanderson- Courtesy Global Post-All Rights Reserved
Global Post periodically publishes a photo feature called Full Frame, which showcases some interesting work by emerging photographers. This one is on the Mekong River and is by Ali Sanderson, an Australian photographer from Australia who was based in Phnom Penh, Cambodia. She worked on productions with leading broadcasters such as National Geographic TV and Radio Free Asia.

In Phnom Penh, Ali, with three other Australian filmmakers, formed a film production company focusing on documentary films dealing with environmental and human rights issues. This led to projects commissioned by Radio Free Asia.

The Mekong is the 10th-longest river in the world, and the 7th-longest in Asia. Its estimated length is 4,909 km (3,050 mi) and runs from the Tibetan Plateau through China's Yunnan province, Burma, Laos, Thailand, Cambodia and Vietnam.