fantastic world travel: Asia

Showing posts with label Asia. Show all posts

Angkor Photo Workshops 2011

Now in its 7th year, the free 2011 Angkor Photo Workshops is now officially accepting applications from all young Asian photographers.

To get started, photographers can download and read through the application guidelines and the application form below:

The guidelines and form contains all the information needed on how to apply for this year’s workshops. However for clarifications and or questions, the Angkor Photo Workshops can be contacted email at angkorworkshop [at] gmail.com .

The workshop will be held from November 17 – 23, 2011 in Siem Reap, Cambodia. As per the previous years’ workshops, 30 participants will be selected from amongst the applications received. The deadline to submit the application is July 15, 2011.

Since its inception in 2005, more than 180 young photographers from all over Asia have been selected to participate in the annual free Angkor Photo Workshops. Conducted by renowned international photographers who volunteer their time, the Angkor Photo Workshops provide participants with firsthand training, invaluable exposure and a chance to perfect their art.

Over the years, the workshop has highlighted emerging talent from the region, and many previous participants go on to embark on successful photography careers both regionally and internationally.

I'll be there!!

Magnum In Motion/Abbas: Children Of The Lotus

Magnum In Motion has produced Children Of The Lotus, a multimedia slideshow of Abbas' photographs made during the photographer's travels in 12 Buddhist countries spanning the better part of three years.

Abbas' inspiration was the photograph (it's really a poignant mug shot) of a young Khmer girl who was executed by a genocidal regime. He wonders how a Buddhist society, presumably full of compassion, be able to countenance the massacre and starvation of a quarter of its population?

Most of the images in the slideshow are in black & white, with a few at the end that are in color. Abbas chose to photograph in black & white because, as he tells us, he doesn't describe reality but aims to transcend it. I would have much preferred if the slideshow was either in black & white or color...I suppose the producers had a reason to do otherwise.

I also found the use of the zooming in for close ups and Ken Burns effect somewhat overdone and heavy-handed...and to use throat singing (more of the Mongolian genre) to be the wrong choice to accompany this production. It seems the producers obtained the audio from freesound.org. With the majority of the countries covered in the slideshow being of the Theravada branch of Buddhism, I'm quite sure they could've easily found more appropriate chants.

In multimedia, bad audio kills great photographs. In this project, it's not that it's bad...but it's not relevant. If all the photos had been of Tibetan (although I'm not sure if the chanting are indeed Tibetan...it could be Mongolian) Buddhism, it would've been fine.

Having said that, work by Abbas is still work by Abbas and the mute button is within reach.

Thaipusam: Kevin WY Lee

Here's a well done video of the festival of Thaipusam (some graphic scenes) by Singapore-based Kevin WY Lee. Kevin WY Lee is a street and documentary photographer and founder of Invisible Ph t grapher Asia, which is not only a collective of photographers in Asia specializing in street photography and visual journalism, but is also a platform, blog, showcase and library archive of street photography and visual journalism in that important part of the world.

I have already posted work by one of their photographers, and I'm consistently impressed by IPA's features...so bookmark it.

It was made using a Panasonic GH2 and Pentax 25mm F/1.4 lens.

Thaipusam is an important festival observed by the Hindus of southern India during the Tamil month of Thai (January - February). Outside of India, it is celebrated mainly by the Tamil speaking community settled in Malaysia, Singapore, South Africa, Sri Lanka and elsewhere.

This short movie was made in Singapore's Thaipusam, where Hindu devotees walk a pilgrimage from the Sri Srinivasa Perumal Temple in Little India, carrying milk pots as offerings or attaching kavadis (heavy burdens) to their bodies, to the Tank Road Temple, four kilometers away.

The Invisible Ph t grapher: Liz Loh-Taylor

If you haven't bookmarked the Invisible Ph t grapher Asia, I suggest you do. The Invisible Ph t grapher Asia (IPA) is not only a collective of photographers in Asia mostly involved in street photography and visual journalism, but is also a very clever brand name.

Kevin WY Lee founded the collective in early 2010, and although it's based in Singapore, it covers Hong Kong, Japan, China, Malaysia, Indonesia, South Korea, India, Thailand, Taiwan, Philippines, Vietnam, Pakistan, Brunei, Laos, Cambodia, and Sri Lanka.

I've been following it for a while now, and I liked a recent interview IPA has had with Liz Loh-Taylor, a young full-time documentary photographer, based in Australia, who only entered the profession in late 2009, but who has already won awards, and important recognition.

Although Liz had joined the finance industry, she also worked with disadvantaged children and communities in Africa, and decided to document their stories through a camera. She gave up her corporate career late 2009, and committed to photography since then.

If you poke around The Invisible Ph t grapher Asia website, you'll find a section on street photography with a number of photo essays related to that style. There's also a street photography contest that is open and free to photographers of any level, and in any country of residence, but submissions must be in the street photography genre and photographed in Asia within the last 12 months.

The prize? It's a street photographer's classic. A black repainted LEICA M2 Rangefinder Camera, and a brand new Nokton 35mm F/1.4 lens.

GMB Akash: Survivors

Open publication - Free publishing - More galleria

SURVIVORS: "The invincibility of human determination to struggle and survive against all odds" is a book by Galleria di Porta Pepice of the photographs by GMB Akash.

GMB Akash is an extraordinarily gifted Bangladesh photographer, and is the first Bangladeshi to be selected for the World Press Photo Joop Swart Masterclass in the Netherlands, and received numerous international and national awards. His work has been featured in over 45 major international publications including: Time, Sunday Times, Newsweek, Geo, Stern, Der Spiegel, The Guardian, Marie Claire, The Economist, The New Internationalist, Kontinente, Amnesty Journal, Courier International, PDN, Die Zeit, Days Japan,and Sunday Telegraph of London.

NYT's Special: Asia Up Close

The New York Times featured its Asia issue this past weekend, and listed 37 Asian Odysseys to this remarkable continent, ranging from Bali to Vietnam, passing through Hong Kong, Laos and India. It's easy to dismiss these features as being tourist-targetted, but I've learned that it's not always the case.

Firstly, let's talk photographs. The feature is accompanied by over 40 images by Asia-based photographers; some of which are postcard-like but others that are real gems, such as the one above of Georgetown by my friend David Hagerman, others of China by Shiho Fukada, of Vietnam by Justin Mott and of Myanmar by Kevin Maloney...so quite a lot of talent there.

Surprisingly, Bhutan is not mentioned! It is in Asia isn't it?

The other reason is this: I discovered an extraordinary (and unexplored) location in Varanasi through a New York Times article, and it launched one of my long term photographic projects. So my suggestion to travel photographers is to keep an eye on all these special features...yes, the majority will be fluff, but sometimes there'll be one that may just launch you into a new direction...and success.

Naturally, such these features also provide if not outright ideas, but inspirations for photo itineraries.

Global Post: Ali Sanderson's Mekong River

Global Post periodically publishes a photo feature called Full Frame, which showcases some interesting work by emerging photographers. This one is on the Mekong River and is by Ali Sanderson, an Australian photographer from Australia who was based in Phnom Penh, Cambodia. She worked on productions with leading broadcasters such as National Geographic TV and Radio Free Asia.

In Phnom Penh, Ali, with three other Australian filmmakers, formed a film production company focusing on documentary films dealing with environmental and human rights issues. This led to projects commissioned by Radio Free Asia.

The Mekong is the 10th-longest river in the world, and the 7th-longest in Asia. Its estimated length is 4,909 km (3,050 mi) and runs from the Tibetan Plateau through China's Yunnan province, Burma, Laos, Thailand, Cambodia and Vietnam.

Mitchell Kanashkevich: Ati Atihan Festival

Mitchell Kanashkevich has just posted to his blog a reportage on the Ati Atihan festival in Kalibo, which is the capital of the province of Aklan, in the northwest of Panay Island, Philippines; about 45 minutes flight from Manila.

This festival is, as Mitchell describes it, a convergence of Catholic and tribal traditions, and dates back more than 700 years. It was originally a pagan festival observed by local tribes who were practicing animism, and Spanish Catholic missionaries gradually added to it Christian elements, culminating into what it now a frenzied religious festivity observed in January honoring the Santo Niño (Infant Jesus), and concludes concluding on the third Sunday of the month.

Ati Atihan was caught in my radar a few weeks ago, and I am putting it (or perhaps another one like it in the Philippines) on the list of possible photo~expeditions for 2012. I'll do some homework to explore the logistics involved, and if all works out, will announce it in due course to my newsletter subscribers, and eventually here on this blog.

Mitchell Kanashkevich is a travel/documentary photographer, and is represented by Getty Images. He's been featured on this blog a number of times.

Four Photographers Document Cockfights

Here's a feature which groups individual photo essays of cockfighting by four photographers. I thought of grouping these essays, and also mention my own. Two of the cockfights occur in the Philippines, one in Haiti and the fourth occurs in Bali.

The first photo essay is Julie Batula's One Way Out; a photo essay of black & white photographs of cockfighting or sabong as it's called in the Philippines, where it's one of the oldest and most popular sports.

As Julie says: "Roosters continue fighting because they cannot escape, regardless of how exhausted or injured they become. It is a routine where they are forced to fight or die, and where death is the only way out."

Julie Batula is a Manila-based artist and documentary photographer, who is influenced by the works of Sally Mann and Nan Goldin.

The second photo essay (it's more of a multi-photo blog post) is by one of my favorite travel photographers: Mitchell Kanashkevich. He tells us he was riding a motorcycle to the city of Dumaguette in the Philippines and came by an area where cockfights were from morning till midnight everyday for a few days.

Mitchell Kanashkevich is a travel/documentary photographer, and is represented by Getty Images. He's been featured on this blog a number of times.

The third photo essay is by Swoan Parker who features a 16 color photographs in a photo essay titled "Place Your Bets" of cockfights in Haiti.

Swoan Parker is a freelance photojournalist based in New York City available for global assignment. Her work has been published in The New York Times, The Wall Street Journal, USA TODAY, The Los Angeles Times, Newsday, TIME, and National Geographic Traveler among others.

The final photo essay is mine, and is titled Tajen. It was photographed on the island of Bali last August.

Jeroens Toirkens: Nomads

Jeroen Toirkens is a Dutch freelance photographer who studied at the Royal Academy of Fine Arts in The Hague. His work mainly consists documentary photography for various clients like NGO’s and governmental institutions in health care and infrastructure. but he also initiated a project called Nomadslife, in which he documents the life of nomadic peoples on the Northern Hemisphere.

His website features a number of galleries of nomads in Kyrgyzstan, Turkey, Finland, Russia, Mongolia, Morocco and Greenland. These small nomadic cultures have unfamiliar names such as the Dukha, Khalkh, Yoruk, Altai and Nenets while others such as the Inuits, Berbers, Kazakh and Sami are better known.

I liked the photographs of the Dukha, a small culture of reindeer herders living in northern Mongolia. Only 44 Dukha families remain, totaling somewhere between 200 and 400 people. They ride, breed, milk, and live off reindeer. Their way of life is endangered and they survive largely by selling their crafts to tourists and riding their domesticated reindeer.

Paul Kowlow: Japan (and Geishas)

Paul Kowalow's website on Zenfolio is sparse with his biographical details, but I thought I'd nevertheless feature his work of Japan here.

You'll see that his gallery of Japan has a large number of portraits of not only geishas but also of young women adopting the punk style of fashion, which I thought is a jarring stark contrast between these two cultures; the traditional and the modern. I wish the gallery was arranged in such a way that the portraits of geisha and punks would alternate. Most of these portraits appear to be candid shots, and the colors are just great.

Take a look at his other galleries as well. He's got some nice photographs of Venice.

Thomas Cristofoletti: Day of the Dead

Here's a movie made of still photographs by Thomas Cristofoletti on the singular tradition in the Philippines which occurs on the Day of the Dead. The stills were made in Tandag, Surigao del Sur and document the tradition of caring for the tombs on November 1.

Tombs are cleaned up, repainted and spruced up by relatives. Candles are lit and flowers placed. Many families spend a night or two near their loved ones' tombs in remembrance. Card games, eating, drinking, singing and dancing are common activities at the cemeteries during the holiday.

In the Philippines, the day of the dead is known as Araw ng mga Patay; one of the traditions imported from Spain during the country' colonization. Of course, El Dia De los Muertos is a well known tradition in Mexico, as well as in other countries where the Catholic faith is practiced. The observance coincides with All Saints Day and All Souls Day.

Thomas Cristofoletti is a freelance photographer and art director currently based in Madrid, who is a proponent of the decisive moment and of candid photography.

Angkor Photo Festival 2010

The 2010 Angkor Photo Festival is to be held between November 20 to November 27 in Siem Reap, Cambodia. The event is a unique photo festival in South East Asia, and it's now in its 6th iteration, having had its inaugural gathering in 2005.

In 2010, 110 photographers including 50 Asian photographers are showcasing their work, in keeping with festival’s mission of highlighting emerging Southeast Asian photographers. These works are curated by well-known figures in photography, Yumi Goto, Antoine d’Agata, and Françoise Callier .

This promises to be a real cornucopia of established and emerging photographic talent, with the participation of Olivia Arthur, Munem Wasif, Paolo Pellegrin, Shiho Fukada, Sohrab Hura, Rony Zakaria, Palani Mohan, Agnes Dherbeys and John Stanmeyer, amongst many others.

To keep up with developments, you can also drop by Angkor Photo Festival's Facebook Page

Hamid Sardar: Mongolia

Hamid Sardar-Afkhami is a photographer and a scholar of Tibetan and Mongol languages with a Ph.D. from Harvard University. After moving to Nepal in the late 1980’s and exploring Tibet and the Himalayas for more than a decade, he traveled to Outer Mongolia, and determined to document its nomadic culture by setting a mobile studio ger camp in Mongolia. With his arsenal of cameras and different formats, he mounts yearly expeditions into the Mongolian outback to document her nomadic traditions.

Apart from the two movie documentaries (these are not short, and run for almost an hour), take a look at Hamid's photographic gallery titled Dark Heavens, which has color and platinum portfolios.

Impressive, huh? Especially since Hamid is able to combine the two imagery disciplines so well.

I was introduced to Hamid Sardar's work and website through The Empty Quarter Gallery newsletter.

Anton Kusters: The Yakuza

Photo © Anton Kusters-All Rights Reserved
Anton Kusters is the well deserved Category Winner, Editorial — Photography Book Now 2010 with his The Yakuza in Tokyo.

The Yakuza are members of traditional organized crime syndicates in Japan, and are well known for violence and initiation rites. Many Yakuza have full-body tattoos known as irezumi in Japan, which are still often done by hand using needles of sharpened bamboo or steel. ANother ritual for the Yakuza is yubitsume, or the cutting of one's finger, as a form of penance or apology.

It's mind-blowing as to how Anton managed to photograph such a secretive society.

Anton Kusters is a photographer, specialized in long term projects, producing complete experiences with images, film and words. He currently resides in Brussels and Tokyo. He is also a graphic designer and internet specialist, runs his own web and interactive design agency, and he's creative director at BURN Magazine.

Conor Ashleigh: Futu-Manu In East Timor

Photo © Conor Ashleigh -All Rights Reserved
Futu manu means"fighting bird" in the local Tetum language of East Timor. Cockfighting is a tradition that goes back centuries in various countries, and I've witnessed it practiced in India, Mexico and Bali to name but a few.

I was glad to find Conor Ashleigh's website, and see that he has featured a photo essay on cockfighting in East Timor. There, cockfights are complementary to religious rites and ceremonies, but also feed a gambling streak amongst many men.

Conor lives in Australia and works on developing stories that comment on under-reported environmental, political and social issues. He photographed in Egypt, Gaza, South Africa, Thailand, Cambodia and Uganda, as well as working on long term projects in India, Nepal and Timor-Leste. His images have been published in New Internationalist, Sydney Morning Herald, Newcastle Herald, The Asia Foundation, Catholic Mission and Oxfam.

I also suggest you check in Conor's photo essay on The Brick Kilns of Bhaktapur in Nepal.

I'm currently working on my own photographs of cockfights in Bali, which will soon be published here on this blog.

Julie Aucoin: Redux

Photo © Julie Aucoin -All Rights Reserved
I've already mentioned Julie Aucoin on this blog, but I've thought of re-posting her recent work which includes a number of South East Asian countries to include Vietnam, and this image of a Bac Ha woman.

Julie who's based in Nevada, describes herself as a passionate photographer, an adventurous traveler and experienced stage manager. She's one of those photographers who, as a child, perused the pages of the National Geographic magazine and this implanted peripatetic seeds in her.

The earlier post on Julie is here.

Nicky Loh: Tattoo Girls of Taiwan

Photo © Nicky Loh-All Rights Reserved

Nicky Loh is a photographer with Reuters working in Taiwan, whose specialty is news, sports and feature photography, who's interested in documenting traditional art forms such as Chinese opera.

On his employer's blog, he writes of having had an assignment to cover the 2010 Taiwan International Tattoo Convention in Taipei which, while not newsworthy per se, offered him a good opportunity to produce colorful photographs.

He describes how he decided to set up an impromptu studio in one of the empty booths of the convention, and do portraits of women with fully tattooed backs.

Not only beautiful artwork, but also very attractive women...so a "twofer" as they say.

Matt Allard Captures Geishas

Matt Allard is a Team Leader- Cameras for Aljazeera International based out of Kuala Lumpur covering Asia/Pacific and the sub continent, and has produced a movie documenting the changing culture of geishas. Due to the world financial crisis, even well-entrenched traditions have had to adapt in Japan, as elsewhere, and geishas in Kyoto have had to follow suit.

Matt used a Canon 7D, 5Dmk2 and 7 lenses to shoot this assignment. The lenses used were a Canon 70-200mm f2.8 IS II, 50mm f1.2, 135mm f2, 24-70mm f2.8, 100mm Macro f2.8, 16-35mm f2.8 and a Tokina 11-16mm f2.8. All interviews were shot on the 70-200mm. All the audio was recorded on a Zoom H4N using either Seinnheiser radio or shotgun mics. It was edited using FCP and ran on Aljazeera English on the 19th August 2010 around the world.

Also from Matt Allard is this movie depicting the same modern day girl transforming into a Geisha in Kyoto, Japan. It was made using a Canon 7D and a 5D Mark 2 using a Canon 100mm f2.8 Macro and a Canon 16-35mm f2.8. The ambient light and the angles used by Matt are just perfect...the colors are beautiful.

Via DSLRrnewsshooter.com

Mongolian Racer

Reading and posting Stan Greene's excellent interview yesterday will probably satisfy my photojournalism interest for this week, so for a change in pace here's a lovely travel multimedia piece titled Mongolian Racer by The Guardian photographer Dan Chung, and narrated by Tania Branigan. (click the arrow).

The multimedia piece is on a horse trainer and his 10-year-old jockey who face the biggest day of their year at Mongolia's Naadam festival, which dates back to before Genghis Khan's time and celebrates the 'manly sports' of wrestling, archery and racing.

The Mongolian traditional festival of Naadam is also called in the local dialect as "the three games of men". These are Mongolian wrestling, horse racing and archery. The festival is held throughout the country during the midsummer holidays, however the largest is in Ulaanbaatar.

For the geeks, the piece was shot using Canon 1DmkIV, 5DMkII, 550D and GoPro HD camera, and a load of ancillary gear which is described in length in Dan Chung's blog DSLR News Shooter.

Apart from it being gorgeous videography, I noted the simple and clean font used for the title of the piece, and how it's placed against the dark cloud in a red sky...nice touch, that. And I also liked how the voice-over expertly blended with the ambient sound/voice.

fantastic world travel