Showing posts with label synagogue. Show all posts
Showing posts with label synagogue. Show all posts

Poland -- visit to Dukla

Dukla's ruined synagogue, monotype by Shirley Moskowitz, 1993. (c) Estate of Shirley Moskowitz

By Ruth Ellen Gruber

One of Polish towns I visited in June was Dukla, a small town in the far south of the country at the top of the Dukla Pass just north of the border with Slovakia. Here, just off the rather run-down market square,  stand the gaping ruins of a once imposing synagogue.
Photo (c) Ruth Ellen Gruber

And there are  two Jewish cemeteries at the edge of town, marked from the road with a sign indicating it is a war memorial site.

Photo (c) Ruth Ellen Gruber

The walled newer cemetery, entered through a rusting gate, had a few neat rows of stones, some with fairly interesting carving -- and the whole area was nicely maintained, with freshly-cut grass/weeds.

Photo (c) Ruth Ellen Gruber

Dulka. Photo (c) Ruth Ellen Gruber

Across the dirt road, though, the eroding gravestones in the old cemetery were scarcely visible in the thick vegetation.

Dukla. Photo (c) Ruth Ellen Gruber

I first visited Dukla in, I believe, 1992, when I was researching my book "Upon the Doorposts of thy House: Jewish Life in East Central Europe, Yesterday and Today." (The book is out of print, but I am planning to re-issue it as an e-book on Kindle.) Things are much today as they were then, though the market square seemed a bit more run-down and less quaint this time around.

This is what I wrote about Dukla in "Doorposts":
The Dukla Pass is the lowest and easiest north-south route through the western Carpathians, and by the 16th century it was already a well-established artery for trade, including the wine trade. the town of Dukla itself prospered as a major center for the import of Hungarian wine, though Ber of Bolechow [the 18th century wine merchant and Jewish leader from what is now Bolekhiv in Ukraine] recounted that the Jewish wine traders from there were not always quite honest. He told the story of a certain Reb Hayyim of Dukla, who made a large purchase of wine in the Hungarian town of Miskolc at the same time that Ber's brother and two other associates were there. Unfortunately, Reb Hayyim paid the Hungarian suppliers with counterfeit money -- golden ducats that turned out to be gold-plated copper -- and Ber's brother and a friend were arrested along with Hayyim, even though it was acknowledged that they had not held any of the bad coins.

The three were kept in jail for a year, until, after much nerve-wracking investigation, the origin of the bad coins was traced to a monastery, which in turn had received them from local noblemen, who made a practice of circulating debased coinage at that time. Ber's brother was released from prison and was even paid a considerable sum in compensation for wrongful arrest, Ber wrote. But the affair had taken a toll: the stress and tension had caused Ber to break out in spots.

During World War II the Dukla Pass was the scene of bitterly fought battles between combined Czechoslovak and Soviet armies and the Germans. The bloody mountain fighting in the autumn of 1944 destroyed the German defenses and left 100,000 soldiers dead. The towns of Dukla, to the north of the pass, and Svidnik in Slovakia to the south, were almost totally razed. I passed numerous memorials to this fighting as I drove along the gentle curves through the wooded hills. Monuments had been erected to the fallen, and ruined tanks, artillery pieces, and airplanes had been left in place where they had been at the close of he conflict, rusting memorials to the battle.

Dukla itself was a small town clustered around a stage-set market square with a white market hall at its center. Nearby, I found the synagogue. It had been built around the middle of the 18th century, and the wily Reb Hayyim may will have worshipped there. Now it was a ruin. It had been destroyed during the wartime battles and had simply been left as it was, four massive stone walls and little else, looming in a small hollow. At the edge of town, a few graves still stood in the Jewish cemetery, surrounded by a brilliant carpet of wild spring flowers.
On that trip, I brought my mother, the artist Shirley Moskowitz, with me -- and she produced a cycle of montoype prints of some of the Jewish heritage sites we visited -- including the one of Dukla synagogue at the top of this post. The cycle of prints was exhibited in several places in Poland in the early 2000s, and now many of them are posted on the web site that we established for her and her artwork after her death in 2007.

Romania -- Radauti synagogue restoration moving forward

By Ruth Ellen Gruber

Edgar Hauster posts on his blog that the renovation of the synagogue in Radauti is moving ahead -- the restoration of the facade is nearing completion.... he has posted a picture of the exterior of the building, taken a few days ago. According to Hauster, the work is being carried out with funding from the Federation of Romanian Jewish Communities, as well as from the town itself.

Radauti synagogue restored. Photo: Edgar Hauster, http://hauster.blogspot.com/

Slovenia -- Maribor Synagogue Becomes Independent Jewish Culture and Research Institute; Calls for Participants in Arts Competition

Photo: Tamino Petelinsek/STA
By Ruth Ellen Gruber

The medieval synagogue in Maribor, Slovenia, which was restored 10 years ago to become a culture center,  was transformed last month into "an independent public institution serving as a museum and a cultural and research center dedicated to preserving the heritage of what was once a thriving Jewish community in Slovenia."

To celebrate both the 10th anniversary of the restoration and the new independent status of the institution, the Maribor Synagogue - the Center of Jewish Cultural Heritage has issued a call for artists to take part in an international competition called "Images of the Maribor Synagogue".

The synagogue is one of Slovenia's most important Jewish heritage sites and one of the oldest known synagogues in Europe.

I have visited the synagogue in Maribor several times, including before its restoration. The compact building, with a high peaked roof, stands in the heart of the medieval Jewish quarter (still known as Zidovska ulica) and is believed to date from the 13th century. Its exact date and original appearance are unknown, however. Already in 1501 -- a few years after the Jews were expelled from that part of Slovenia -- it was converted into a church. It functioned as a church until the late 18th century. In the early 19th century it was sold and turned into a warehouse and, later, a dwelling.

Long empty, the building was renovated in the 1990s and reopened as a cultural center in 2001. The only physical evidence that the building was once a synagogue is the large niche in the eastern wall, presumably for the Ark. Also, numerous stone fragments with carved Hebrew inscriptions were found during excavations for the renovation.

Here is the full press release about the arts competition:
In Maribor, Slovenia’s second largest city, stands one of the oldest preserved synagogues in Central Europe. Well preserved and renovated it’s an exceptional, world-renowned cultural and historical monument. Maribor was until the exile of Jews in 1496 one of the cores of medieval Jewry, radiating into the broader European space. In the second quarter of the 15th century the synagogue was the seat of high rabbinate for the lands Styria, Carinthia and Carniola, but after Jews were exiled from Maribor it was transformed into a catholic church.
From the end of 18th century until the end of last century the space of the former synagogue was used as a warehouse and later as residential premises. Only after many renovations during the 90-ties the synagogue’s former image was restored. Since April 2001 the synagogue is the location of the cultural centre Maribor Synagogue ; many cultural events, including historical and art exhibitions, lectures, presentations, literary evenings, concerts … had been organized in its interiors. In the past few years the greater part of the program is concerned with and dedicated to the presentation of Jewish history, tradition and cultural heritage.
The synagogue is a simple gothic building ; the ground plan is rectangular with two vaulted fields. Written records first mentioned it in 1429, but particular architectural fragments, dating to the 14th and late 13th century, indicate that it’s undeniably older. On its south side three gothic stepped buttresses, that support it on the former medieval town walls, can be seen. The eastern side is embellished by a rosette and two tall, narrow windows. On the inner side of the synagogue a niche, where the Tora scroll was most probably held, is still preserved.
The Maribor synagogue is without doubt a remarkable cultural-historical monument and is considered amongst architectural rarities not only in Slovenia but also internationally. And its specific position in the former Jewish quarter inside the town walls has since medieval times fascinated and inspired artists from Europe and throughout the world. This year the cultural center Maribor Synagogue, since April 2011 the Center of Jewish Cultural Heritage, is celebrating its decennial anniversary, and to mark this special occasion we’re proud to announce an open call to artists for the international fine arts competition Images of the Maribor Synagogue.
We would like to encourage Slovene and foreign artist to fully experience this important and interesting cultural-historical building that mirrors the faith of Jewry in Maribor, Slovenia and Europe. Authors can present their visions in different drawing, painting or/and graphic techniques, unlimited in their artistic expression.
A three-member jury, consisting of acclaimed experts in the fields of art history, history and art, will review the entered art works. The selected works will be shown at an exhibition at the Maribor Synagogue. This competition has three awards, first, second and third place. The winners and authors of the chosen works will be notified on the jury’s decision until February 2012. The organizer is withholding the right not to reward the awards, on the ground of the jury’s decision. The exhibition of selected works will be on display in the Maribor Synagogue from June until August 2012.

The deadline for submitting entry is November 30th 2011. Authors have to submit a filled-in application form, brief curriculum vitae and reproductions of entered works in a digital form with a corresponding color scale. The reproductions have to be prepared and submitted in resolution suitable for publishing in printed media. Application is to be submitted electronically to the following Email : koordinator@sinagogamaribor.si. Authors can enter no more than three fine art works (drawing, painting, graphic, mixed techniques), please note that photographs and sculptures will not be taken into consideration.

Works formats : • Paintings on canvas : min. size : 50 × 70 cm (19,7 × 27,6 inch), max. size : 100 × 120 cm (39,4 × 47,2 inch). • Graphics, aquarelles, drawings : min. size : 21 × 30 cm (8,3 × 11,8 inch ; format A4), max. size : 100 × 120 cm (39,4 × 47,2 inch).

The terms and conditions for entering the competition are as follows : • With the entry to this competition the authors must create new works, previously never shown on exhibition nor published in the media. • With the entry to this competition the authors attest that the works submitted are their sole and original works. • With the entry to this competition the authors attest for the accuracy of the information supplied in the application form. • With the entry to this competition the authors accept, that any costs regarding their entry and participation in the competition (material, postal fees, shipping and transport fees for the works in case they’ll be selected for the exhibition ; and travel and accommodation expenses in case of the author’s visit to the exhibition site) are at their expense. • The organizer of the competition attest, that the authors works stay at all time in the authors ownership and will be returned after the closure of the exhibition.

IMPORTANT : Please note that the application form, brief CV and titles of the works, on the application form as well as on the digital files of the entered reproductions, must be filled-in either in English or Slovene, other languages will not be taken into consideration.


USA -- My brother Sam will be speaking in NYC on Monday

By Ruth Ellen Gruber

This is a heads up for anyone in New York that my brother Sam will be speaking on the architecture of NY synagogues on Monday, March 21, at synagogue Emanu-el. The information can be founr HERE.

The New York Landmarks Conservancy is celebrating the 25th anniversary of its “Sacred Sites” program, the only statewide initiative in New York and just one of three in the country dedicated to preserving and protecting religious properties with both grants and technical assistance.

Temple Emanu-El is pleased to host the Landmarks Conservancy, which will inaugurate a series of illustrated lectures about religious architecture with Restoring Splendor: The Architecture of New York Synagogues led by Samuel D. Gruber. Sacred architecture represents some of the most ambitious collective expression of human creativity. Regardless of religious beliefs, it is easy to be captivated by glorious spiritual buildings. Churches, mosques, synagogues and temples — whether ancient or post-modern — inspire us with their universal and exalted beauty.

Poland -- Synagogue in Zamosc renovation is complete

Zamosc synagogue after restoration. Photo: FODZ web site

By Ruth Ellen Gruber

The renovation of the renaissance synagogue in Zamosc, the gorgeous "ideal town" in the southeast of Poland, is complete -- and the building will be dedicated next month.

The Foundation for the Preservation of Jewish Heritage in Poland posts a gallery of before and after pictures -- click HERE.

Interior, Zamosc synagogue, after restoration. Photo: FODZ web site

Poland --evocative blog posts about Lesko cemetery (and synagogue)

Lesko Jewish cemetery, 2006. Photo (c) Ruth Ellen Gruber


By Ruth Ellen Gruber

I have just come across two very detailed blog posts about the synagogue and ancient Jewish cemetery in Lesko, in the far southeastern corner of Poland.

Both posts, on http://riowang.blogspot.com, are very informative and  richly illustrated with photographs -- they make me wish I had spent more time in Lesko when I was last there, in 2006, updating JHT.

Lesko synagogue, 2006. Photo (c) Ruth Ellen Gruber

Synagogue restored in Beirut

This is a bit out of the 'hood, but Haaretz runs a nice piece about the restoration of the Maghen Abraham Synagogue synagogue in downtown Beirut....

Renovations on the ruined synagogue, which was built in 1925, began in 2009
after an agreement between various religious denominations and permission from the Lebanese government, planning authorities and even Hezbollah. The project received the green light after political officials and community leaders became convinced it could show that Lebanon is an open country, tolerant of many faiths including Judaism. [...]

Renovations have included mending the gaping hole in the Moroccan-style synagogue's roof and repairing the chandeliers that once hung from it. The Torah ark and prayer benches will also be refurbished to their former states, having been seriously damaged in fighting between Muslim and Christian forces during the 1975-1990 Lebanese civil war.

Several dozen Jews still living in Lebanon will fund the project to the tune of $200,000, along with others in the Diaspora. The project has also received a $150,000 grant from Solidere, a construction firm tasked with rebuilding central Beirut from the destruction of the civil war. The company is privately owned by the family of Rafik Hariri, the former prime minister assassinated in 2005.
Read full story by clicking RIGHT HERE

India -- Jewish Heritage Trail here, too!

The Jerusalem Post runs a lengthy article by Shalva Weil about a nascent Jewish heritage trail in southern India. It is pegged to the situation of the 17th century synagogue in Parur, which is currently being renovated by public authorities after remaining abandoned and somewhat derelict for decades.

Last month, the government of Kerala, India’s southernmost state, armed with a matching grant from the central government, started the reconstruction of the Parur synagogue that used to be frequented by Cochin Jews before they came on aliya, largely in the 1950s. The last of the community immigrated in the 1970s, leaving behind a mere handful of people, and the synagogue has remained in disuse since then. Today, fewer than 40 Cochin Jews remain on the Malabar coast.

The conservation is progressing at such a pace that the chief architect in charge of the project, Benny Kuriakose, believes it will be completed by the autumn. This governmental and federal project could be a beacon for other countries, which pay lip-service to the preservation of Jewish heritage.

“I was very excited to hear that the Kerala government is renovating the Parur synagogue and restoring it to the glory of its past,” said Tirza Lavi, a native of Parur, and a today a curator of the Heritage Center for Cochin Jews at Nevatim, south of Beersheba. “We hope that Parur will be a showcase to the younger generation, displaying our communities’ rich and interesting history. I am sure that Cochin Jews in Israel will be glad to take part in the project and share their knowledge and memories.”

Weil writes that the Jewish heritage trail and Parur synagogue are part of a much larger project.

The reconstruction of the Parur synagogue is only a small cog in the wheel of a huge project called the Muziris Heritage Project, which includes archeological excavations and the reconstruction of other historical monuments in the area, such as temples, churches and mosques. The idea is to create a tourism trail from the ancient port of Muziris, today known as Kodungallor, through Cochin, Parur and other nearby areas, and develop the already-existing tourism boom. Today, Kerala is the eighth most favorite tourist destination in the world.

The seeds of the monumental project were planted only a few years ago. The beautiful Paradesi synagogue in Jew Town, Cochin, constructed in 1568, has been a well-known tourist site ever since Indira Gandhi attended its quatercentenary celebrations in 1968 and the Indiangovernment issued a special commemorative stamp on the occasion. In more recent history, however, the Kerala government agreed to undertake the renovation of another abandoned Cochin Jewish synagogue belonging to the Malabari Jews in the village of Chendamangalam, near Cochin. In February 2006, the synagogue was reopened with an exhibition on the Cochin Jews, and the synagogue has become a popular tourist destination.


Read full article here

Greece -- The synagogue in Rhodes

The Jerusalem Post runs a story about the synagogue in Rhodes, the oldest in Greece.

The spacious, Sephardi-style house of worship has a beautiful wooden bima in the middle of the men’s section and an exquisite, traditional white pebble floor with black pebble decorations. Behind the synagogue is a museum, funded by far-flung descendants of the Jewish community, displaying textiles and documents which explain the daily lives and the rituals of the Jews of Rhodes.

Read more HERE

Romania -- Historic synagogue in Iasi under restoration

 Photo (c) Simon Geissbuehler


By Ruth Ellen Gruber

The historic 17th century Great Synagogue in Iasi, in northern Romania, is under restoration. The Swiss historian and diplomat simon Geissbuehler (who has written widely on Jewish heritage in Romania) visited the site last week and provided the picture above. He said the synagogue is empty, and that some work has been completed on the foundations, but that workers on the site did not have a time frame for the work's completion.

The synagogue was built in 1671 and is the oldest surviving synagogue building in Romania. (Before World War II, there were more than 110 synagogus in Iasi alone.) The synagogue has simple lines and tall dome and is set in a small garden, almost totally surrounded by new buildings. Inside, a huge, elaborate Ark, surrounded by frescoes, fills one end of the hall. The former women's gallery for years housed a small exhibit on local Jewish history, organized in the 1980s.

Wroclaw -- White Stork Synagogue, and More

Photo (c) Ruth Ellen Gruber, 2008

By Ruth Ellen Gruber

After years of stop and start work, the historic White Stork synagogue in Wroclaw, Poland was rededicated this week. The May 6 ceremony was at the heart of four days of cultural events, religious services, commemorations and other activities. These also included an international conference on Jewish religious life in Wroclaw. The full schedule of events can be seen HERE.

The central performer was the Israeli-born, New York-based Cantor Joseph Malovany, cantor of the Fifth Avenue Synagogue. Malovany has used his wonderful voice to encourage and instill hope in Jewish revival in post-communist Europe for many years. He is, in fact, one of the first people I met in this world -- he perfomed in 1989 at the dedication of the newly restored Great Synagogue in Szeged, Hungary, and also at the Dohany St. synagogue in Budapest which, at the time, was still in sadly derelict condition: the roof sagged perilously under plastic sheeting, held up by metal bands. He has sung in Moscow, in Macedonia, in Bucharest, in Warsaw, and in many other places and on many significant occasions: one of the most poignant was in July 2001, when he chanted kaddish at the ceremony in the small eastern Polish town of Jedwabne, during which Poland's then-president Aleksander Kwasniewski, offered apologies for the fact that local Poles had massacred their Jewish neighbors there in 1941. (In 2004, Kwasniewski named him a commander of the Legion of Honor.)



(I can't resist including this video of Cantor Malovany at the Singer's Warsaw Jewish festival in the Nozyk synagogue, in Warsaw, a few years ago)

As I have written previously, restoration and other work on the White Stork synagogue has been spearheaded since 2006 by the Bente Kahan Foundation, established by the Norwegian singer and stage artist Bente Kahan.

The New York Times featured the Synagogue, Kahan and the Jewish Quarter in a recent travel article.

In recent years, Wroclaw’s formerly neglected Old Jewish Quarter, with Wlodkowica street as its anchor, has become one of the city’s hippest neighborhoods, thanks largely to the work of Bente Kahan, a Jewish-Norwegian singer who serves as founding artistic director of the Jewish Cultural and Education center of the White Stork, the city’s only remaining synagogue.

The 19th-century White Stork was once the center of one of the largest Jewish communities in Germany. Since 2005, when Ms. Kahan assumed directorship and started a private foundation to finance community efforts, the White Stork has seen extensive renovations. On May 6 the synagogue will officially reopen to the public at a ceremony unveiling a permanent installation about the history of Jewish life in Wroclaw.

The surrounding neighborhood has also been given new life. Spots like the student-friendly watering hole Mleczarnia, and Sarah, a candlelit restaurant that serves up takes on traditional Jewish dishes, have turned the out-of-the-way Wlodkowica street into one of Wroclaw’s most fashionable avenues.

If you are planning to visit Wroclaw -- don't forget that the annual Simcha Jewish culture festival takes place the last week of May.

Poland -- synagogue in Bedzin renovated and reopened





 Before and After pictures from the Cukierman Gate web site


By Ruth Ellen Gruber

Mazel Tov! The Cukierman prayer house, the little private synagogue found hidden in an apartment block in the Silesian town of Bedzin in southern Poland, has been renovated and reopened to the public thanks to a grant from the province. The striking wall paintings that show scenes of Jerusalem, musical instruments and other motifs, were preserved and restored during the six-month restoration project. The prayer house will be open every Saturday afternoon.
Thanks to the last year’s subsidy from the Śląskie Province Conservation Officer it was possible to renovate and partly reconstruct the surviving polychromes. Apart from renovating the paintings, the interior of the prayer house was also slightly rearranged, so that it would be adapted for meetings with young people and all participants of cultural events. [...]  The Cukerman prayer house is one of about forty prayer houses that have survived and are open to visitors in Poland, and it is the only relic in the Śląskie Province, reminding of its past and its Jewish community.
For more information see the Cukierman Gate foundation Web Site -- there are lots of photos documenting the restoration process.

I visited the hidden prayer house last summer and wrote about it on this blog, describing how it is always inspiring to meet  people who take it upon themselves to care for and promote sites of Jewish heritage in Poland (and elsewhere).

Egypt -- Restored Synagogue to be Dedicated

 

 Video of work on the synagogue

 By Ruth Ellen Gruber

This is a bit off geographic topic, but (as Rabbi Andrew Baker notes in an op-ed today) after an 18-month restoration project by Egypt's Supreme Council of Antiquities, this historic Maimonides (or Rambam, or "Rav Moshe") synagogue and yeshiva in Cairo is to be reopened and rededicated next week.

Sam Gruber has reported that
This is the first major restoration of Jewish site in Egypt since the much-heralded restoration Cairo's Ben Ezra Synagogue in the 1980s and early 1990s, a project put in motion during the euphoria following the Camp David Accords. [...] The Synagogue is actually a 19th century construction that replaces older buildings, but is adjacent to  an historic and venerated yeshiva associated with Maimonides. - which itself has had a recent history of disasters - recurring flooding from underground water and 1992 earthquake damage. The Yeshiva rooms have niches where, until recently, sick Jews, Muslim and Christians would spend the night praying for their recovery, or for women especially, fertility.


Baker, the director of international Jewish affairs for the American Jewish Committee, has an op-ed in the International Herald Tribune/NYTimes web site about the synagogues, the restoration and the politics around the project.  For the past five years Bakes has met regularly on behalf of the American Jewish Committee with Egyptian officials to press for the preservation of Jewish heritage, which, in addition to Rav Moshe, includes a dozen synagogues and several cemeteries in Cairo and Alexandria, most of them in poor repair.

The nearly $2 million restoration involved a team of Egyptian experts. Few people were aware of it until last September when Dr. Zahi Hawass, Egypt’s antiquities czar, brought reporters to the site and declared: “It’s part of our history. It’s part of our heritage,” Dr. Hawas proudly declared. Some cynics suggested that the project was initiated to shore up the candidacy of Egypt’s culture minister, Farouk Hosny, in his unsuccessful bid to head Unesco.

But, write Baker: this was not just any synagogue. Rav Moshe was considered to have special healing powers. One elderly Egyptian Jew now living in Europe told me how his childhood stuttering disappeared after his mother made him spend the night there. His miracle cure was a commonplace experience for many of Cairo’s Jews who sometimes called it the “Jewish Lourdes.”  [...]
In Maimonides’ day, Cairo’s Jewish community was a center of scholarship and commerce, a hub of Jewish life for the entire Middle East. When[ King] Fuad ruled Egypt, more than 80,000 Jews were among his subjects. They were an active, integral presence in the business and cultural life of the country. But that all changed after Israel’s creation in 1948, and especially after Gamal Abdel Nasser seized power in 1953, prompting a mass exodus of Jews. Today’s Jewish population in Egypt is a mere few dozen. [...]
Both Farouk Hosny and Zahi Hawass came to accept the argument that the preservation of Egypt’s rich Jewish heritage was also their obligation. Slowly but quietly — always quietly — they drew up plans for restoring most Jewish religious sites. They even endorsed our proposal that one of the restored synagogues should serve as a Museum of Egyptian Jewish Heritage, a place that would tell of the long, rich history of Jewish life in Egypt. Only a few knew. Every meeting I had with these Egyptian officials ended with the same admonition — “Please, do not tell anyone.”
Why the secrecy when most governments would want the world to know of such commendable preservation work? In Egypt, the history of living alongside Jewish neighbors has been replaced with the demonizing of Israel, and often of Jews as well. The historic 1979 Egyptian-Israeli peace treaty has for too long been ignored by Egypt’s cultural elites who have steadfastly rejected any normalization in relations. Minister Hosny and his colleagues have had reason to fear that Egyptians would react with anger when told of the restoration work.
But the word is out now. And Zahi Hawass, an archeological legend known around the world for touting pyramids and the treasures of King Tut, is now reading up on the deeds of a medieval rabbi. Dr. Hawass promises that six more synagogue buildings in Cairo will be restored within two years. Egypt’s Jewish artifacts will never rival those of the Pharaohs. But reminding today’s Egyptians and others in this troubled region of a time when Jews were a natural part of Egyptian society is important. It may even be a ray of hope when hope is so hard to find in this region. Maybe there will emerge one more miracle to credit to Rav Moshe.
Read full article at the web site

Greece -- Arrests in Hania Crete Synaogogue Arson attacks

By Ruth Ellen Gruber

The BBC reports that arrests have been made in the two arson attacks this month that serious damaged the historic Etz Hayyim synagogue in Hania, Crete. In custody are a Greek man and two British men -- waiters in local restaurants -- and two Americans are sought.
The BBC's Malcolm Brabant in Athens said [that], according to the police, the men are aged 23 and 33 and are nightclub waiters in the seaside town. Police said they were arrested after a 24-year-old Greek man confessed, our correspondent added. The British men have been offered assistance by consul staff on the island.
Read full story HERE

Meanwhile, the synagogue blog continues to carry updates, including some reflective pieces by Tony Lerman.

Poland -- Wroclaw synagogue: restoration of interior complete

Zdjęcie: Wnętrze synagogi Pod Białym Bocianem już zachwyca. Cała będzie gotowa na wiosnę (Paweł Relikowski)

 Photo from Gazeta Wroclawska newspaper. Click HERE

Gazeta Wroclawska newspaper reports that the restoration of the interior of the historic White Stork Synagogue in Wroclaw has been completed. The article is in Polish (it translates with Google translate) but also runs pictures you can see by clicking HERE.

The synagogue is to be rededicated in May. The article states that interior furnishings will be installed in April.

I posted previous information on the restoration in December -- click HERE.

Second attack on Hania synagogue!

  

Pictures courtesy of the Etz Hayyim blog.

Nikos Stavroulakis writes that there has been a second arson attack at the historic Etz Hayyim  synagogue in Hania, Crete -- just ten days after vandals broke in and set the interior alight on Jan. 5. The second attack  took place just hours after Friday night services and destroyed the archives of the synagogue, gutted the offices and damaged the sanctuary.  See more pictures at the synagogue web site/blog HERE.
On the night of Friday, January 15, after more than a week of work on the sanctuary – newly scraped, primed and re-painted; the wood-work oiled with lavender and the marble floor polished – we met for Erev Shabbat prayers and Kiddush. Later we locked the synagogue and returned to our homes feeling that we had set our steps forward. Saturday morning at 3:30 AM however the Synagogue’s director was wakened by the alarm that had been set off in the Synagogue and rushed there accompanied by two helpers to find the entire main office ablaze. They began putting out the fire with the garden hose as the firemen had not yet succeeded in getting their hoses connected. When the mains were finally connected the firemen set to work – by 4:45 the fire was only smoldering and all that remained of the upper and lower office was completely gutted. Also about a third of the wooden ceiling of the Synagogue itself was burnt, the benches covered in soot and broken wood, the floor a mess – but the EHAL was not touched! Everything in the main office – e.g. two computers, complete Talmud, Midraschim, 2 sets of Rashi lexicons (Aramaic, Greek and Hebrew) plus many reference books and the entire archive of the Synagogue have all been destroyed.
By noon the Siphrei Torah along with all of the silver ornaments (rimonim, tassim, yads etc.) and a precious early 17th century illuminated Qur’an were removed to a secure location. It was a sad moment to see them being taken away from the Kal as it was a joyous moment when they had been installed in 1999. But we are determined that they will come back!


My latest Ruthless Cosmopolitan column -- on the arson attack at the Hania synagogue

In my latest Ruthless Cosmopolitan column, I discuss the implications of last week's arson attack on the synagogue in Hania, Crete.

RUTHLESS COSMOPOLITAN
Attack on Crete synagogue carries special meaning

By Ruth Ellen Gruber · January 13, 2010

ROME (JTA) -- The vandals who torched the historic Etz Hayyim synagogue in Hania, an ancient port on the Greek island of Crete, left no doubt about their motives.

After breaking into the building on the night of Jan. 5 and setting its interior alight, they threw a bar of soap against its outer wall.

A bar of soap? That's because, explains the synagogue's director, Nikos Stavroulakis, "I'll make you into a bar of soap" is a common anti-Semitic taunt in Greece. Since the Holocaust, there has been a persistent belief that the Nazis made soap from Jewish corpses.

Even though scholars have disproved the idea, bars of soap have been buried reverently in some European Jewish cemeteries under solemn memorials.

"In this place lie the remains of Jewish martyrs exterminated by German fascists and turned into soap," reads the inscription on an obelisk in Piatra Neamt, Romania.

The power of this belief was examined in "The Soap Myth," a play by Jeff Cohen that ran last summer in New York. Based on a true story, the play focused on the efforts of an elderly Holocaust survivor "on a one-man mission to get the 'soap myth' reclassified as fact," Marissa Brostoff wrote in Tablet magazine.

But at the heart of the story was something much more.

What was at stake, Brostoff wrote, was "the way we choose to see the past, a struggle between a dispassionate approach relying on facts and figures and another, much more subjective one that holds survivors' testimonies to be unarguably true and ultimately sacred."

Anti-Semitic violence is anything but dispassionate.

The bar of soap hurled against the desecrated synagogue in Hania was a diabolically mixed metaphor: Soap usually symbolizes purity and godliness, but in this twisted context it spelled hatred and death.

The attack on the Hania synagogue was not just an assault on a building. It was an assault on the ideals that had transformed the structure from a wrecked relic of Holocaust destruction to a new symbol of community and compassion.

This transformation was accomplished largely through the efforts of Stavroulakis, a remarkable man who has devoted much of the past two decades to restoring a Jewish presence to a city made "Judenrein" by the Nazis.

I met Stavroulakis when I visited Hania in 1996. An artist, author and scholar who had co-founded and directed the Jewish Museum in Athens, Stavroulakis had returned to live in his family's rambling house in Hania after many years away.

The synagogue, which dates back to the 15th century, was in ruin. But over the next three years Stavroulakis made it his mission to raise funds and, with the help of the World Monuments Fund and other donors, oversee the building's rebirth. His aim was to make it a living spiritual presence, not simply a restored reminder of the past.

The synagogue now functions as a museum, and it hosts exhibitions and cultural events.

It’s also an active house of worship. A small Havurah community whose members include Christians and some Muslims -- as well as Jews of all persuasions -- regularly assembles there to celebrate Shabbat and Jewish holidays.

Stavroulakis himself leads daily prayers each morning, whether a minyan is present or not.

Prayers were held as usual at 9 a.m. Jan. 6, the morning after the arson attack. The fire had gutted a stairway, wreaked havoc on the synagogue library, and covered walls and precious furnishings with a thick layer of soot.

"Fortunately," Stavroulakis said, "the fabric of the synagogue was and is intact."

He was referring to the physical structure of the building, but I think he also meant that the symbolic identity of the synagogue also had survived -- and would be maintained.

"We must be angry over what has happened to our synagogue," he told the small group of worshipers gathered for prayers amid the soot. "If we were not, it would be an indication that we were either indifferent or morally numb."

But, Stavroulakis asked, just where should the anger be directed? Local indifference and the ignorance that promotes racism had to be addressed.

"We have tried at Etz Hayyim to be a small presence in the midst of what is at times almost aggressive ignorance," he wrote on the synagogue blog. "We have done this to such a degree that our doors are open from early in the morning until late in the day so that the synagogue assumes its role as a place of prayer, recollection and reconciliation."

There is, Stavroulakis wrote, little if any sign of overt security.

"This character of the synagogue must not change and the doors must remain open," he wrote. If not, that means "we have given in to the ignorance that has perpetrated this desecration."

A week after the attack, the Etz Hayyim blog posted pictures showing that thanks in large part to volunteers, the walls of the sanctuary already had been painted and other clean-up work was well under way.

"The impact of this [attack] will be wider than simply an act of terrorism against Jews," Stavroulakis told me. "Already it is being seen in a much wider social context that has to do with civic responsibility and care."
 Read story at JTA web site

Greece -- Full Report on the Destructive Arson Fire at the Etz Hayyim Synagogue in Hania

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 Destroyed library of synagogue. All Photos courtesty Etz Hayyim web site

Sam Gruber posts pictures and a full description of the destructive arson attack Tuesday night on the beautiful Etz Hayyim synagogue in Hania, Crete.

The fire severely damaged the recently restored ezrat nashim (former women's section) of the historic synagogue, and entirely destroyed the library and computer stations. Additional damage from soot and water to the rest of the structure and furnishing can be repaired, but at a considerable cost.



Sam posts the description presented on the synagogue's web site by our old friend Nikos Stavrolakis, the director of the synagogue complex, who personally raised money for and oversaw the restoration of the building in the late 1990s.  I vividly remember visiting the synagogue with Nikos in 1996, when it was still pretty much a ruin, and listening to his hopes and plans for it.

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In his description, Nikos reflected about the significance of the synagogue and the attempt to destroy it --noting that the perpetrators had thrown and bar of soap against the burning building -- a reference to a "common anti-semitic quip in Greek [that] runs…’I'll make you into a bar of soap!’" and that local people apparently did not react.

What was quite notable was the lack of ‘locals’ despite the quite incredible noise of the synagogue alarm system and sirens from the two fire engines screeching through the neighborhood. What was even more disturbing and an obvious sign of a lack of civic responsibility was the apparent lack of sensitivity to the fact that had the synagogue been engulfed in flames at least half of the old city of Hania would have gone up in flames as the narrow streets and inaccessible quarters would have prevented access by the fire brigades.

We must be angry over what has happened to our synagogue. If we were not it would be an indication that we were either indifferent or morally numb. But exactly against what is our anger directed? The urban context in which Etz Hayyim figures at this moment must be considered carefully and any indifference on the part of the citizens to the material fabric of this city and its collective ‘psyche’ is tantamount to abetting to a degree the desecration of monuments, of homes and sites of common meeting.
What we must be angry about is the ignorance that determines racism, discrimination or badly examined lives. We have tried at Etz Hayyim to be a small presence in the midst of what is at times almost aggressive ignorance. We have done this to such a degree that our doors are open from early in the morning until late in the day so that the Synagogue assumes its role as a place of prayer, recollection and reconciliation. In many ways we have been successful through this quiet presence – perhaps our ‘silent presence’ wears not too well on some and is even a source of annoyance to others.
Often I have pointed out that we are perhaps the only synagogue of significance in Greece, possibly Europe, where there is little if any overt sign of protective security. Hand-bags are not checked, ID cards and passports are not examined, and one is not obliged to sign in. This character of the Synagogue must not change and the doors must remain open – or we have given in to the ignorance that has perpetrated this desecration. Our awareness of what ignorance can do to us will certainly determine how certain repairs are to be made – but at the same time we must be cautious about allowing ignorance to affect or determine the nature of our presence. We will have a heavy burden of funding the necessary renovations and we hope that you as either old friends or new ones will assist us. Any donations will be deeply appreciated and, of course, welcome.

The web site has a slide show of images showing the extent of the damage, which included the destruction of the valuable library and music collection.

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At approximately 12:20-1:00 AM on the night of the 5th January [,,,] one or two or even more individuals made their way into the south garden of the synagogue by climbing over the iron gate. Subsequent to this they set about making an improvised incendiary device by tearing open a large Ottoman cushion in the mikveh and then with the contents stuffed a canister that was filled with some flammable liquid which was then set afire under the wooden stair of the ezrat nashim. 
(The upper floor of the women’s section (ezrat nashim) serves as the office of the director as well as a library and reading room and contains valuable books in various languages on Ottoman, Byzantine and Jewish art and architecture as well as resource books on European and Near Eastern History from pre-historic times as well as a large section on Cretan history. A computer and CD player with over 150 CDs of Sephardic liturgical and secular music were also kept in the office.) Within probably minutes the assailants had taken off and the fire produced smoke that poured into the synagogue proper and then out into the street through the oculus in the facade of the synagogue.
Yannis Pietra, an Albanian emigrant living not far from the Synagogue, smelled the smoke and looking into the street saw it belching out of the facade and called the police, fire-station and then set off to find the director who arrived not long after along with Besnik Seitas the handyman of the Synagogue. At roughly the same time a young Moroccan, Nasr Alassoud, also traced the smoke that was coming down the street to the harbor. He proved to be a much needed hand by the director. By 1:45 AM the fire brigade had extinguished the fire and the police had begun their work. But the residual damage was only going to be apparent the next day.

Make donatation to efforts to repair the synagogue and rebuild the library to:

ALPHA BANK (Hania, Crete)
Account name: Friends of Etz Hayyim
Account # 776-002101-087154
IBAN:  GR74 0140 6600 7760 0210 1087 154
Nicholas Hannan-Stavroulakis / Director Etz Hayyim Synagogue/ Hania

Italy -- Historic Synagogue in Sabbioneta Closed

                  

By Ruth Ellen Gruber

The entry stairway to the early 19th century  synagogue in the historic northern Italian town of Sabbioneta has been declared unsafe and the building, now used as a museum, closed to visitors.

Sabbioneta, on the Po River near Mantova, was laid out as a walled "ideal city" in the second half of the 16th century by Prince Vespasiano Gonzaga Colonna. It is on UNESCO's list of world heritage sites, paired with Mantova as two aspects of Renaissance town planning.
Mantua shows the renewal and extension of an existing city, while 30 km away, Sabbioneta represents the implementation of the period’s theories about planning the ideal city. Typically, Mantua’s layout is irregular with regular parts showing different stages of its growth since the Roman period and includes many medieval edifices among them an 11th century rotunda and a Baroque theatre. Sabbioneta, created in the second half of the 16th century under the rule of one person, Vespasiano Gonzaga Colonna, can be described as a single-period city and has a right angle grid layout. Both cities offer exceptional testimonies to the urban, architectural and artistic realizations of the Renaissance, linked through the visions and actions of the ruling Gonzaga family.



Sabbioneta represents the construction of an entirely new town according to the modern, functional vision of the Renaissance. The defensive walls, grid pattern of streets, role of public spaces and monuments all make Sabbioneta one of the best examples of ideal cities built in Europe, with an influence over urbanism and architecture in and outside the continent. The properties represent two significant stages of territorial planning and urban interventions undertaken by the Gonzagas in their domains.
Jews lived in Sabbioneta from the town's early days -- even before it was laid out in its present form. There was a ghetto here, and the town developed into an important center of Hebrew printing.   The Sabbioneta synagogue dates from 1824 -- its present form is an enlargement and rebuilding of an earlier structure by a noted Lombard architect named Carlo Visioli.

The synagogue lay in sorry disrepair for decades until it was restored by local authorities, turned into a museum and inserted into local tourism itineraries. It has a gilded ark behind a low, elaborate grille and  flanked by Corinthian columns. The ceiling is decorated by ornate stucco work.

Romania --Piatra Neamt Wooden Synagogue to be Rededicated



Interior of Piatra Neamt wooden synagogue, 2006. Photo (c) Ruth Ellen Gruber




Interior of Piatra Neamt wooden synagogue, 2006. Photo (c) Ruth Ellen Gruber


Ark in Piatra Neamt wooden synagogue, 2006. Photo (c) Ruth Ellen Gruber


By Ruth Ellen Gruber

The "Baal Shem Tov" or Cathedral wooden synagogue in Piatra Neamt, Romania, will be rededicated Dec. 14 after restoration.


Legend has it that the Ba'al Shem Tov, the founder of Hassidism, prayed here -- that is, on an earlier, masonry synagogue that  stood on the spot, as the wooden synagogue was built, according to documentation, in 1766, and the Ba'al Shem Tov died in 1760.

I've visited on several occasions, the last time in 2006.  This is what I wrote in Jewish Heritage Travel:
The present building is halfway underground, probably built like this to conform to regulations that forbade synagogues from being higher than surrounding Christian buildings. The sanctuary is entered down stairs leading from a little outer prayer room, where regular services are held. Chandeliers hang from the ribbed wooden dome arching over the dull, browny-green walls decorated by pale stenciled flowers. Carved and gilded lions, griffins, bunches of grapes and other decorations ornament the compact but elaborate Aron ha Kodesh, built in 1835 by one Saraga Yitzhak ben Moshe.
Sam Gruber has posted further information and comment on his blog.

The wooden synagogue stands next door to the masonry Great (or Leipziger) synagogue, which was originally built in 1839. It is very similar to other folk-style Moldavian synagogues, with  a small, raised bimah with a trellised frame situated in the middle of the sanctuary in front of a highly elaborate Aron ha Kodesh with tromp l'oeil draperies. The walls are decorated with bright frescoes representing Holy Land themes, and frescoes of biblical animals -- the stag, the lion, the tiger and the eagle -- are painted on the ceiling.


Ark in Great synagogue in Piatra Neamt, 2006. Photo (c) Ruth Ellen Gruber